Christianity was a reaction against corrosive doubt, a condition that took hold partly as a result of the habit of sceptical inquiry inculcated by philosophy: “What was destroying the world was the lack of illusions. Christianity saved it, not because it was the truth but because it was a new source of illusion.” This new illusion came in the form of a claim to truth that all the world had to accept: an inordinate demand that with the rise of the Enlightenment shifted to science, which has become a project aiming to dissolve the dreams in which humanity has hitherto lived. The result is modern nihilism – the perception that human beings are an insignificant accident in a scheme of things that cares nothing for them or their values – and a host of rackety creeds promising some kind of secular salvation.
Leopardi’s account of the paradoxical process whereby a Christian will to truth gave birth to nihilism has much in common with Nietzsche’s – an affinity that the fiery German thinker recognised. Here as elsewhere, Nietzsche was following a path opened up by Schopenhauer, who wrote that it was a tragedy that the world’s three great pessimists – “Byron, Leopardi and myself” –were in Italy at the same time but never met. (I’m not sure that a meeting between Leopardi and Schopenhauer would have been a success. Unlike Schopenhauer, who lamented the human lot, Leopardi believed that the best response to life is laughter.)
What fascinated Schopenhauer, along with many later writers, was Leopardi’s insistence that illusion is necessary to human happiness. Matthew Arnold, A E Housman, Herman Melville, Thomas Hardy, Fernando Pessoa (who wrote a poem about the Italian poet) and Samuel Beckett were all stirred by his suggestion that human fulfilment requires a tolerance of illusion that is at odds with both Christianity and modern science.
Innnnteresting. Again, I'm intrigued by this Leopardi fellow.